Hafiz Love Poetry Biography
Source(Google.com.pk)Hafiz is one of the world’s most beloved poets, he is affectionately known as the ‘Tongue of the Invisible’ and the great Poet-Seer Ralph Waldo Emerson himself remarked that ‘Hafiz is a poet for poets.’
The poems of Hafiz have a beautiful and musical quality, which also embody a great spontaneity. In a myriad of poetic ways, Hafiz expresses the spiritual experiences of a mystic, in love with his Beloved. Yet he achieves this in a playful and enchanting way, like other Sufi poets, Hafiz weaves themes of ambiguity into his poems. Often he will use secular images such as wine, drunkenness and human love, however these are just symbols for the divine experiences which Hafiz is alluding to.
“That Beloved has gone completely Wild – He has poured Himself into me!
I am Blissful and Drunk and Overflowing.”
- From: The Great Secret
Hafiz was born in the beautiful city of Shiraz in Persia (now Iran ). As a young child he was called Shams ‘ud-din Mohammed. Hafiz proved to have a prodigious talent for literature. At an early age he successfully memorized the Qu’ran, and this is why he took the pen name of ‘Hafiz’ ‘ Hafiz means one who has memorized the entire Qu’ran by heart. As well as studying the Qu’ran Hafiz was also introduced to the other great Sufi poets such as Rumi, Farid ‘ud-din Attar and Saadi, these Sufi poets would later have some influence on the poetry of Hafiz.
A famous story about Hafiz tells how he fell in love with a beautiful woman. He saw her in his local area whilst delivering bread. He became so enchanted with love for this woman that he could think of nothing else. Hafiz started to write love poems dedicated to his sweetheart, and these became famous throughout Shiraz. Unable to live without his beloved, Hafiz resolved to undertake a 40 night vigil at the tomb of Baba Kuhi’. Babu Kuhi was a famous poet who promised to fulfil 3 desires of anyone who could stay awake for 40 nights at his tomb.
On the first night Hafiz had a vision of the Angel Gabriel. He was so enchanted with her beauty, he resolved to seek only God who would by nature be infinitely more beautiful than any human form. Gabriel then revealed to him where he could find a spiritual master who would be able to lead him towards God. This master was Muhammed Attar, who lived a humble life in Shiraz.
From this point Hafiz became a prodigious poet producing hundreds of poems which expressed a seekers longing for union with the divine. His poetry made Hafiz famous and he gained the respect and love of many local inhabitants. However his ecstatic and unorthodox poetry gained him the displeasure of the ruling Muslim orthodoxy. Because of this Hafiz twice had to flea the city of Shiraz, on many occasions he was only saved by his sharp wit.
At the age of about 60, his Master Attar, finally granted Hafiz his life long desire – union with God. From this point Hafiz’s poems reflected a new consciousness, no longer was there any sense of separateness from God.
Hafiz wrote about 5,000 poems, although unfortunately these were never written down and therefore there is some scholarly dispute about the authenticity of some poems. In the West Hafiz has only become famous in the last century. One of the most important early translations was by Gertrude Bell in 1897. Recently there have been new translations and versions by authors such as Daniel Ladinsky. These have helped Hafiz become a well renowned poet in the West. The poetry of Hafiz has a universal attraction. It is said Hafiz once stated,
‘No one could ever paint a too wonderful picture
of my heart or God.’
After six hundred years, the Persian lyrical poet Hafiz (d. 1389) still remains the most popular poet in Iran, Afghanistan, Tajikistan and other parts of Central Asia where Persian is spoken today as the mother tongue. The tradition known as the ‘Religion of Love’ (madhhab-i ‘ishq), which pervaded Persian literature from its inception, was best expressed in the verse of Hafiz, the supreme master of the classical Persian love-lyric (ghazal). In a series of original essays focused on this high romantic tradition that sustained Hafiz’s rhetoric of romance, an international roster of specialists reveal how the poet’s erotic theology partook of a single culture and civilization that was devoted to Eros in medieval Persia. This volume is not only the first study to date of the philosophical, theological and mystical bases of Hafiz’s erotic spirituality, but the most comprehensive introduction into the poet’s romantic philosophy, literary tradition, poetry and biography yet published in any European language. The work will appeal to students of Persian poetry, Islamic philosophy, Sufism, and Middle Eastern Studies as well as the wider audience interested in comparative poetics, Eastern literature and spirituality, medieval romance and the philosophy of love.
This volume is an utter delight to read. Edited with excellent intellectual rigor by Leonard Lewisohn, the essays written by a number of distinguished Iranian scholars and other specialists in Persian studies provide a literary, historical and philosophical overview and analysis of the leitmotif of Hafiz’s poetry, which is love.
Baha’ al-Din Khurramshahi, author of Hafiz-nama, a two volume Persian commentary on Hafiz’s poetry.
With the contributions by a number of prominent scholars, Hafiz and the Religion of Love in Classical Persian Poetry provides a highly focused, original and, engaging edited volume on one of the most cherished Persian poets and some of the most stimulating topics of classical Persian poetry.
Kamran Talattof, Professor of Persian Language and Literature, University of Arizona.
Leonard Lewisohn brings together perhaps for the first time in Hafiz and the Religion of Love in Classical Persian Poetry a rich and diverse set of essays in a single volume written by renowned specialists on Hafiz. Few people have his lifelong devotion to Hafiz and profound knowledge of classical Persian poetry to be capable of producing such a work, which is indispensable to students and scholars of Hafiz and Persian literature.’
Mehdi Aminrazavi, Professor of Philosophy & Religion, University of Mary Washington, Virginia.
Hafiz Love Poetry Love Poetry In Urdu Romantic 2 Lines For Wife By Allama Iqbal SMS Pics By Faraz 2014 Images
Hafiz Love Poetry Love Poetry In Urdu Romantic 2 Lines For Wife By Allama Iqbal SMS Pics By Faraz 2014 Images
Hafiz Love Poetry Love Poetry In Urdu Romantic 2 Lines For Wife By Allama Iqbal SMS Pics By Faraz 2014 Images
Hafiz Love Poetry Love Poetry In Urdu Romantic 2 Lines For Wife By Allama Iqbal SMS Pics By Faraz 2014 Images
Hafiz Love Poetry Love Poetry In Urdu Romantic 2 Lines For Wife By Allama Iqbal SMS Pics By Faraz 2014 Images
Hafiz Love Poetry Love Poetry In Urdu Romantic 2 Lines For Wife By Allama Iqbal SMS Pics By Faraz 2014 Images
Hafiz Love Poetry Love Poetry In Urdu Romantic 2 Lines For Wife By Allama Iqbal SMS Pics By Faraz 2014 Images
Hafiz Love Poetry Love Poetry In Urdu Romantic 2 Lines For Wife By Allama Iqbal SMS Pics By Faraz 2014 Images
Hafiz Love Poetry Love Poetry In Urdu Romantic 2 Lines For Wife By Allama Iqbal SMS Pics By Faraz 2014 Images
Hafiz Love Poetry Love Poetry In Urdu Romantic 2 Lines For Wife By Allama Iqbal SMS Pics By Faraz 2014 Images
Hafiz Love Poetry Love Poetry In Urdu Romantic 2 Lines For Wife By Allama Iqbal SMS Pics By Faraz 2014 Images
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